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Category Archives: Guns

Nelson Ford Q&A #15, The NAA Bolo Tie, Building Or Buying A Heirloom 1911, Home Gunsmithing

The Guns of Skeeter and Bart Skelton

John Harrison — Harrison Design — Full House Custom Peerless Springfield Armory 1911 45 ACP

Ruger Mark 1 To 22/45; History Of The .22 That Made An Empire, Nelson Ford The Gunsmith Inc.

Ted Yost – Estate Sporting LTD — Custom Smith & Wesson Model 25 — 45 ACP

An awesome Custom S&W Model 25-2 built by Ted Yost. This conversion makes this former target gun into an outstanding Defensive tool. A cool way to carry 45 ACP!

Nelson Ford Q&A #14, S&W Model 41, Magic Guns, Taurus Revolvers, Crown Screws, Ruger Security/6…

Covering a few of the comments left in past videos, Magic Guns, S&W Model 41, Taurus Revolvers, Nickel Plated 1903 Hammerless guns, Ruger Revolvers, and some more on 1911 shock buffers…

Martini Cadet .22LR Rifle

Before I closed up shop at LooseRounds I talked a little about this rifle. This was one of Brady’s guns he recently sold off to my best friend a few years ago. The gun was not complete as Brady had bought it only to convert it into a custom rifle. He never got around toContinue reading “Martini Cadet .22LR Rifle”

.32 S&W Ultimate Carry, Issues, Successes And It’s Long History With Nelson Ford The Gunsmith Inc.

Today we talk about the .32 UC (Ultimate Carry) from Smith And Wesson, some of it’s issues and how to over come them, what makes the guns great and the long line of pocket .32’s that it stems from.

Lou Biondo — Business End Customs Full House Commander — Two Tone #0008– 45 ACP

A clean full house custom commander sized 1911 built by Lou Biondo, Business End Customs out of Peabody Massachusetts. This one is Serial #8 of his frames, chambered in 45 ACP and finished in a custom blended 2-tone Cerakote finish.

Richard Heinie Full House Custom Colt 1911 — RH16 — Armand Swenson Style Combat 45 ACP

A Classic, very early Build form Richard Heinie’s bench. This one is #16, built on a 70 Series Colt Government Model 1911 in 45 ACP. Built in the style of Armand Swenson, one of Heinie’s biggest early influences. This piece is a great example of late 70s style.

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